The Unpredictable Breath of Nagual Sculptures
Gianluca Ranzi
Gianluca Ranzi
Aldo Colonetti
There has always been a creative tradition which passes from one discipline to another, without ever settling for a particular theoretical context, but which never loses sight of certain artistic experiences which have made this kind of expressive transmigration their linguistic identity. Sculpture and architecture have, in particular, always kept up a dialogue, both because they are close relatives – space and time are intrinsically linked to these two disciplines, to a much greater extent than any other field of design – and because the cultural background of the artists in question very often involves both professional areas. It may be written in the book of fate, either expressly or hidden between the lines of memory and thought; but in this case it is on the contrary evident, from every point of view. READ MORE
10 – 13 novembre 2016
Premio Arte 2016 – Cairo editore
Palazzo Reale Milano
25 ottobre 2016
INAUGURAZIONE mostra personale di Isabella Angelantoni Geiger
Libreria Bocca – Galleria Vittorio Emanuele II Milano
via Procaccini 4, Milano
ingresso libero
venerdi 7 ottobre, dalle 18 alle 22
sabato 8 ottobre, dalle 12 alle 20
domenica 9 ottobre, dalle 12 alle 19
in collaborazione con il Depuratore di Milano Nosedo
6 – 7 – 8 luglio 2016
DepurArt Lab Gallery presso Depuratore di Nosedo
via San Dionigi 90 – Milano
Three elements stand out in IAG’s work and they perfectly fit together: space, time and architecture.Isabella Angelantoni Geiger is an artist who lives and works in Milan, where she was formed; a city where, as shown by Boccioni, form lives in the continuity of space and where tradition and artistic research are related to ‘Space and Time’, from Futurism, through Lucio Fontana until Luciano Fabro.The Isabella’s creations move in the same direction but adds a new organic sensibility linked to a certain ambiguity and instability of the form itself.Here it is as poised, unstable, and requires a constant search for equilibrium and balance. The work in some way remains open just as slyly and subtly seems to never come to sedimentation and find “peace.” On the contrary it seems to be fitted with a vital push the door to grow and sometimes to implode.Consider sculpture as an organic process is one of the merits of Isabella Angelantoni Geiger, so forms and templates are developed in space without ever to close, in a process that ‘not all’ and that alludes to infinity and multiplication, as it occurs in Brancusi and Fontana.READ MORE
MILANO, DAL 12 AL 17 APRILE
Esposizione di sculture in tre differenti aree di Milano
via Conte Rosso 26, Ventura Lambrate Design District
L’Occitane en Provence, via Solferino 12, Brera Design District
DepurArt Lab GAllery, depuratore di Nosedo, via San Dionigi 90