The anti-Oedipus of sculpture
Gianluca Ranzi
Gianluca Ranzi
Gianluca Ranzi
Aldo Colonetti
There has always been a creative tradition which passes from one discipline to another, without ever settling for a particular theoretical context, but which never loses sight of certain artistic experiences which have made this kind of expressive transmigration their linguistic identity. Sculpture and architecture have, in particular, always kept up a dialogue, both because they are close relatives – space and time are intrinsically linked to these two disciplines, to a much greater extent than any other field of design – and because the cultural background of the artists in question very often involves both professional areas. It may be written in the book of fate, either expressly or hidden between the lines of memory and thought; but in this case it is on the contrary evident, from every point of view. READ MORE